Krenek, Ernst, Sonata fur Harfe (Sonata for Harp), Op. 150 |
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| Sonata fur Harfe (Sonata for Harp), Op. 150 |
| 2 Available |
A wonderful contemporary work for harp, composed in 1955 by Ernst Krenek. This work is harmonically complex, with many pedal changes, but has a timeless elegance. Krenek studied composition with late-Romantic composer Franz Schreker and was interested in both neo-classical and aleotoric styles of music. This work is dedicated to harpist Nicanor Zabaleta. |
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A wonderful contemporary work for harp, composed in 1955 by Ernst Krenek. This work is harmonically complex, with many pedal changes, but has a timeless elegance. Krenek studied composition with late-Romantic composer Franz Schreker and was interested in both neo-classical and aleotoric styles of music. This work is dedicated to harpist Nicanor Zabaleta. |
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J.B. Krumpholtz, Sonata II (G) for Harp and Flute |
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| Early classical work for pedal harp and treble instrument |
| 1 Available |
Bold sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp, but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 12 pages. |
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Bold sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp, but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 12 pages. |
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J.B. Krumpholtz, Sonata III (F) for Harp and Flute |
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| Early classical era sonata for pedal harp and treble instrument |
| 1 Available |
Substantial sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and most are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp - lots of Alberti base figures, broken octave and chords and the like - but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate in the outer movements and there is quite a lot of it in the second movement. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 16 pages. |
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Substantial sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and most are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp - lots of Alberti base figures, broken octave and chords and the like - but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate in the outer movements and there is quite a lot of it in the second movement. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 16 pages. |
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Dussek, S. G. arr. Zabaletta, Sonata in C Minor |
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| Intermediate level Sonata for the pedal harp |
| 4 Available |
Sophia Giustani Dussek's Sonata in C minor is a great piece for intermediate level pedal harpists learning their first sonatas. A common piece in the pedal harp repertoire, this piece also has historical significance as one of the first major harp sonatas composed by a woman. This piece is also often requested for auditions, and is great for classical music recitals. Includes a small section detailing the piece's history. 12 pages. |
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Sophia Giustani Dussek's Sonata in C minor is a great piece for intermediate level pedal harpists learning their first sonatas. A common piece in the pedal harp repertoire, this piece also has historical significance as one of the first major harp sonatas composed by a woman. This piece is also often requested for auditions, and is great for classical music recitals. Includes a small section detailing the piece's history. 12 pages. |
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Pescetti; arr. Salzedo, Sonata in C Minor for the Harp |
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| Solo sonata for pedal harp |
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One of the staples of the classical pedal harp repertoire. This vibrant piece is suitable for the advanced intermediate pedal harpist. The second movement is exquisitely beautiful and can be played by a less advanced harpist or the adventurous lever harper. One tricky pedal passage in the first movement. Good articulation and strong rhythmic playing required. 11 pages. |
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One of the staples of the classical pedal harp repertoire. This vibrant piece is suitable for the advanced intermediate pedal harpist. The second movement is exquisitely beautiful and can be played by a less advanced harpist or the adventurous lever harper. One tricky pedal passage in the first movement. Good articulation and strong rhythmic playing required. 11 pages. |
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