Curcio, Stephanie, On the Slopes |
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| On the Slopes |
| 3 Available |
One of the favorites from Stephanie Curcio's "White Mountain Suite" for three intermediate level pedal harpists. |
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One of the favorites from Stephanie Curcio's "White Mountain Suite" for three intermediate level pedal harpists. |
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Gustavson, Julie, On the Wings of Fairies |
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| Solos for pedal harp by Julie Gustavson |
| 1 Available |
Three enchanting pieces written at the intermediate level for pedal harp. The notes are very manageable and there are just a few pedal changes. 11 pages. |
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Three enchanting pieces written at the intermediate level for pedal harp. The notes are very manageable and there are just a few pedal changes. 11 pages. |
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Gustavson, Julie, Only a Memory |
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| Duet for oboe or other C treble instrument and pedal harp, early intermediate level |
| 2 Available |
An enchanting duet for harp and oboe. Its harmonic progressions and melodic lines are soothing and beautiful. A few pedal changes. Also available as a harp solo in Julie Gustavson's Memories in the Mist book, see link below. Written at the early intermediate level for pedal harp. Solo part could be played by any C treble instrument. |
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An enchanting duet for harp and oboe. Its harmonic progressions and melodic lines are soothing and beautiful. A few pedal changes. Also available as a harp solo in Julie Gustavson's Memories in the Mist book, see link below. Written at the early intermediate level for pedal harp. Solo part could be played by any C treble instrument. |
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Strauss, Richard, Orchestral Studies from Symphonic Works, Vol. 1 |
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| Orchestral Studies from Symphonic Works, Vol. 1 |
| 1 Available |
This book is a collection of the harp parts for several symphonic works by Richard Strauss judged to be the most worthy of long-term study (due primarily to their difficulty). The passages presented in this collection were selected by members of the Vienna Philharmonic and the Royal Imperial Academy for the Music and Representative Art. This edition for harp was prepared by well-known harpist, composer and pedagogue Alfred Holy. Holy's introductory notes in the beginning of this edition state that the key he chose for presenting many of these studies is occasionally different from the key of the original orchestral part in order to allow the harpist the most ease in pedaling and playing synonyms. |
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This book is a collection of the harp parts for several symphonic works by Richard Strauss judged to be the most worthy of long-term study (due primarily to their difficulty). The passages presented in this collection were selected by members of the Vienna Philharmonic and the Royal Imperial Academy for the Music and Representative Art. This edition for harp was prepared by well-known harpist, composer and pedagogue Alfred Holy. Holy's introductory notes in the beginning of this edition state that the key he chose for presenting many of these studies is occasionally different from the key of the original orchestral part in order to allow the harpist the most ease in pedaling and playing synonyms. |
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Strauss, Richard, Orchestral Studies from Symphonic Works, Vol. II |
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| Orchestral Studies from Symphonic Works, Vol. II |
| 2 Available |
This book is a collection of the harp parts for several symphonic works by Richard Strauss judged to be the most worthy of long-term study (due primarily to their difficulty). The passages presented in this collection were selected by members of the Vienna Philharmonic and the Royal Imperial Academy for the Music and Representative Art. This edition for harp was prepared by well-known harpist, composer and pedagogue Alfred Holy. Holy's introductory notes in the beginning of this edition state that the key he chose for presenting many of these studies is occasionally different from the key of the original orchestral part in order to allow the harpist the most ease in pedaling and playing synonyms. |
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This book is a collection of the harp parts for several symphonic works by Richard Strauss judged to be the most worthy of long-term study (due primarily to their difficulty). The passages presented in this collection were selected by members of the Vienna Philharmonic and the Royal Imperial Academy for the Music and Representative Art. This edition for harp was prepared by well-known harpist, composer and pedagogue Alfred Holy. Holy's introductory notes in the beginning of this edition state that the key he chose for presenting many of these studies is occasionally different from the key of the original orchestral part in order to allow the harpist the most ease in pedaling and playing synonyms. |
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