Wagner; arr. Holy, Traume, Etude zu Tristan und Isolde |
 |
|
|
|
| Traume, Etude zu Tristan und Isolde |
| 1 Available |
Träume (Dreams) concludes the set of Wagner's famous Wesendonk Lieder from 1857-58. This addition has been transcribed for harp by Alfred Holy. |
|
|
Träume (Dreams) concludes the set of Wagner's famous Wesendonk Lieder from 1857-58. This addition has been transcribed for harp by Alfred Holy. |
|
|
Strauss, Richard; arr. Dominique Piana, Traumerei, Opus 9 #4 |
 |
|
|
|
| Richard Strauss piano work transcribed for solo pedal harp |
| 1 Available |
Traumerei is representative of the mature output Richard Strauss' youth. A reverie suspended in time, it woos our attention with its alternating lush harmonies and bursts of wide-ranging arpeggiated chords, so harp-like in character. It had to be transposed from B to C Major and a few notes of the chromatic inner voices were trimmed. |
|
|
Traumerei is representative of the mature output Richard Strauss' youth. A reverie suspended in time, it woos our attention with its alternating lush harmonies and bursts of wide-ranging arpeggiated chords, so harp-like in character. It had to be transposed from B to C Major and a few notes of the chromatic inner voices were trimmed. |
|
|
Schocker, Gary, Treeludes |
 |
|
|
|
| Treeludes |
| 1 Available |
A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker. |
|
|
A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker. |
|
|
Tremblot de la Croix, Francine, Trois Iles |
 |
|
|
|
| Music inspired by the moods of three islands for advanced pedal harp |
| 3 Available |
Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages. |
|
|
Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages. |
|
|
Salzedo, Carlos, Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien |
 |
|
|
|
| Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien |
| 2 Available |
This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist. |
|
|
This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist. |
|
|
|
