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Wagner; arr. Holy, Traume, Etude zu Tristan und Isolde

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Traume, Etude zu Tristan und Isolde
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Träume (Dreams) concludes the set of Wagner's famous Wesendonk Lieder from 1857-58. This addition has been transcribed for harp by Alfred Holy.

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Träume (Dreams) concludes the set of Wagner's famous Wesendonk Lieder from 1857-58. This addition has been transcribed for harp by Alfred Holy.

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Strauss, Richard; arr. Dominique Piana, Traumerei, Opus 9 #4

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Richard Strauss piano work transcribed for solo pedal harp
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Traumerei is representative of the mature output Richard Strauss' youth. A reverie suspended in time, it woos our attention with its alternating lush harmonies and bursts of wide-ranging arpeggiated chords, so harp-like in character. It had to be transposed from B to C Major and a few notes of the chromatic inner voices were trimmed.

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Traumerei is representative of the mature output Richard Strauss' youth. A reverie suspended in time, it woos our attention with its alternating lush harmonies and bursts of wide-ranging arpeggiated chords, so harp-like in character. It had to be transposed from B to C Major and a few notes of the chromatic inner voices were trimmed.

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Schocker, Gary, Treeludes

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Treeludes
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A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker.

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A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker.

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Tremblot de la Croix, Francine, Trois Iles

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Music inspired by the moods of three islands for advanced pedal harp
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Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages.

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Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages.

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Salzedo, Carlos, Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien

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Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien
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This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist.

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This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist.

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