Von Wurltzler, Aristid, Modern Sketches: Yesterday - Today - Tomorrow |
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Solo for pedal harp utilizing non-traditional playing techniques |
Available |
A unique solo piece comprised of three minatures (Yesterday - Today - Tomorrow), this piece exposes the harpist to the variety of modern techniques and uses of the harp. A very useful and clearly explained guide to the techniques used is included. For advanced pedal harp. 23 page score with 8 page glossary of symbols and techniques. |
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A unique solo piece comprised of three minatures (Yesterday - Today - Tomorrow), this piece exposes the harpist to the variety of modern techniques and uses of the harp. A very useful and clearly explained guide to the techniques used is included. For advanced pedal harp. 23 page score with 8 page glossary of symbols and techniques. |
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Salzedo, Carlos, Modern Study of the Harp |
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Technique, explanation and symbols of tonal effects and the "Five Poetical Studies for Harp Alone" |
3 Available |
Salzedo's explanation of technique, fingering and tonal effects is for the harpist and helpful for composers as well. Explains aspects such as fingerings for chord groupings, pedaling, and a thorough explanation of symbols used in harp music for damping techniques and effects such as Tympanic Sounds, Metallic Sounds and the Thunder Effect. Exercises apply explanations to practice. 53 pages. Exercises for advanced players, but if played slowly could be useful to any level. Explanations would also be useful for any level. For pedal harp. Text in English and French. |
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Salzedo's explanation of technique, fingering and tonal effects is for the harpist and helpful for composers as well. Explains aspects such as fingerings for chord groupings, pedaling, and a thorough explanation of symbols used in harp music for damping techniques and effects such as Tympanic Sounds, Metallic Sounds and the Thunder Effect. Exercises apply explanations to practice. 53 pages. Exercises for advanced players, but if played slowly could be useful to any level. Explanations would also be useful for any level. For pedal harp. Text in English and French. |
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Smetana; arr. Trnecek, Moldau |
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Moldau |
2 Available |
A fantastic transcription of this orchestral work for solo harp, expertly arranged for solo harp by Hans Trnecek. This lovely work is a gem that would be a fantastic addition to any solo harp recital. |
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A fantastic transcription of this orchestral work for solo harp, expertly arranged for solo harp by Hans Trnecek. This lovely work is a gem that would be a fantastic addition to any solo harp recital. |
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Peters, Susan and Chuck Bird, Mostly Scotch (Wid a Wee Bit A' Soda) |
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Mostly Scotch (Wid a Wee Bit A' Soda) |
4 Available |
These innovative musical creations are not only fun and easy to play but will delight the harpist by using the full spectrum of the harp's abilities. Arrangements contain fingering, standard harp notations plus explanations to execute the lesser-known effects. Also contains lyrics where applicable. The book has interesting prose on how the authors emulated the feel of the bagpipe sound on the harp plus Scottish trivia and information on Scottish music. Free audio downloads are available for use with this title. |
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These innovative musical creations are not only fun and easy to play but will delight the harpist by using the full spectrum of the harp's abilities. Arrangements contain fingering, standard harp notations plus explanations to execute the lesser-known effects. Also contains lyrics where applicable. The book has interesting prose on how the authors emulated the feel of the bagpipe sound on the harp plus Scottish trivia and information on Scottish music. Free audio downloads are available for use with this title. |
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Mozart, W.A.; arr. Sue Ann Kahn and Susan Jolles, Mozart Sonata in G, K283; arranged for flute and harp |
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Mozart Sonata in G, K283; arranged for flute and harp |
1 Available |
This virtuosic sonata for piano is among Mozart's most sophisticated and advanced sonatas. This arrangement by Sue Ann Kahn and Susan Jolles provides both the harpist and flautist with an idiomatic arrangement that respects the original articulation and phrasing of Mozart's composition. |
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This virtuosic sonata for piano is among Mozart's most sophisticated and advanced sonatas. This arrangement by Sue Ann Kahn and Susan Jolles provides both the harpist and flautist with an idiomatic arrangement that respects the original articulation and phrasing of Mozart's composition. |
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