Godefroid, Felix, La Mort d'Orphee |
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| La Mort d'Orphee |
| 2 Available |
Composer Felix Godefroid (1818-1897) was a Belgian harpist who was also a prolific composer. He studied the single-action pedal harp in Paris with François Joseph Naderman and then the recently developed double-action pedal harp with Elias Parish Alvars. |
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Composer Felix Godefroid (1818-1897) was a Belgian harpist who was also a prolific composer. He studied the single-action pedal harp in Paris with François Joseph Naderman and then the recently developed double-action pedal harp with Elias Parish Alvars. |
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Hasselmans, Alphonse, La Source |
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| Charateristic solo for intermediate level pedal harp |
| 3 Available |
A standard in the intermediate level pedal harp repertoire. Its flowing texture and harmony perfectly paint the picture of running water, showcasing the qualities of the harp. For recital or background music, it is versatile and always well received. A few pedal changes, these are marked. 11 pages. |
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A standard in the intermediate level pedal harp repertoire. Its flowing texture and harmony perfectly paint the picture of running water, showcasing the qualities of the harp. For recital or background music, it is versatile and always well received. A few pedal changes, these are marked. 11 pages. |
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Zabel, Albert, La Source |
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| La Source |
| 1 Available |
Harpist and composer Albert Zabel, who developed the Russian technique of harp playing was the harpist for the ballet orchestra of St. Petersburg in the 19th century. |
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Harpist and composer Albert Zabel, who developed the Russian technique of harp playing was the harpist for the ballet orchestra of St. Petersburg in the 19th century. |
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Coulomb, Laurent, Lalita-Nartya: A Choreographic Poem for Harp |
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| Lalita-Nartya: A Choreographic Poem for Harp |
| 2 Available |
Composed as accompaniment to a dancer of East India classical dance, Lalita-Nartya is built upon modes karnatiques with frequent changes of pace and environment. A truly sweet introductory passage states the rhythms and thematic elements that will permeate the suite, and a glissando announces the beginning of the dance. A performance by Cecile Bontron-Maudire is available on (YouTube). For advanced harpists. |
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Composed as accompaniment to a dancer of East India classical dance, Lalita-Nartya is built upon modes karnatiques with frequent changes of pace and environment. A truly sweet introductory passage states the rhythms and thematic elements that will permeate the suite, and a glissando announces the beginning of the dance. A performance by Cecile Bontron-Maudire is available on (YouTube). For advanced harpists. |
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Zarick, M. J., The Lap Harp Companion |
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| Lap Harp Companion (The) |
| 2 Available |
This comprehensive collection of music for lap harp is perfect for any harpist who plays a harp of 22 strings or more strung from G-G. With 50 beautiful melodies arranged for the beginner-intermediate lever harpist, you can't go wrong! |
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This comprehensive collection of music for lap harp is perfect for any harpist who plays a harp of 22 strings or more strung from G-G. With 50 beautiful melodies arranged for the beginner-intermediate lever harpist, you can't go wrong! |
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