Berman Harris, Ruth, O Holy Night (Lever Harp) |
 |
|
|
|
| O Holy Night (Lever Harp) |
| 3 Available |
A beautiful arrangement for the intermediate (or intermediate-advanced) lever harpist of this well-loved holiday piece. This arrangement, by Ruth Berman Harris and Sydney Harris incorporates many idiomatic harp techniques, such as glissandos, sweeping arpeggios and delicate harmonics. |
|
|
A beautiful arrangement for the intermediate (or intermediate-advanced) lever harpist of this well-loved holiday piece. This arrangement, by Ruth Berman Harris and Sydney Harris incorporates many idiomatic harp techniques, such as glissandos, sweeping arpeggios and delicate harmonics. |
|
|
Wagner; arr. Daniel Burton, Ode to the Evening Star |
 |
|
|
|
| Ode to the Evening Star |
| 1 Available |
An arrangement by Daniel Burton of the "Ode to the Evening Star" from Richard Wagner's 1845 opera Tannhauser. This lovely song consists of arpeggios of chords in the left hand while the right hand plays the melody in single notes and octaves. |
|
|
An arrangement by Daniel Burton of the "Ode to the Evening Star" from Richard Wagner's 1845 opera Tannhauser. This lovely song consists of arpeggios of chords in the left hand while the right hand plays the melody in single notes and octaves. |
|
|
Trotter, Louise, Old Gospel Hymns and Spirituals |
 |
|
|
|
| Old Gospel Hymns and Spirituals |
| 2 Available |
This collection of "old favorites with a contemporary touch" by harpist Louise Trotter is an excellent resource for any harpist looking for gospel or devotional music. Arranged for the intermediate lever or pedal harpist, this collection incorporates jazzy rhythms and bluesy scales into these well-loved favorites. |
|
|
This collection of "old favorites with a contemporary touch" by harpist Louise Trotter is an excellent resource for any harpist looking for gospel or devotional music. Arranged for the intermediate lever or pedal harpist, this collection incorporates jazzy rhythms and bluesy scales into these well-loved favorites. |
|
|
Dilling, Mildred, Old Tunes for New Harpists |
 |
|
|
|
| A collection of folktunes progressively arranged with an introduction to harp technic, and illustrations. |
| 3 Available |
For over 65 years, this book by Mildred Dilling has been standard repertoire for the beginning harp player. The first tunes are very simple, and the book progresses through advanced beginner levels. These 92 folk songs from around the world range from 3 flats to 3 sharps, and all but a few are playable on lever harp. 48 pages,paperbound. |
|
|
For over 65 years, this book by Mildred Dilling has been standard repertoire for the beginning harp player. The first tunes are very simple, and the book progresses through advanced beginner levels. These 92 folk songs from around the world range from 3 flats to 3 sharps, and all but a few are playable on lever harp. 48 pages,paperbound. |
|
|
Kondonassis, Yolanda, On Playing the Harp |
 |
|
|
|
| Method book on technique, exercises for improving playing skills, pedal or lever harp |
| 2 Available |
Celebrated harp soloist and Telarc recording artist Yolanda Kondonassis has written a detailed and comprehensive treatise for harp players that will be a great boon to harpists at all levels of performance accomplishment. Throughout the book, there are photographs that demonstrate proper hand positions and copious musical examples. On Playing the Harp is the perfect A to Z compendium of material for developing the multifaceted art of playing this delightful and popular instrument. 148 pages. Kondonassis has divided her book into three sections: |
|
|
Celebrated harp soloist and Telarc recording artist Yolanda Kondonassis has written a detailed and comprehensive treatise for harp players that will be a great boon to harpists at all levels of performance accomplishment. Throughout the book, there are photographs that demonstrate proper hand positions and copious musical examples. On Playing the Harp is the perfect A to Z compendium of material for developing the multifaceted art of playing this delightful and popular instrument. 148 pages. Kondonassis has divided her book into three sections: |
|
|
|
