Debussy; trans. Carlos Salzedo, La Cathedral Engloutie (The Sunken Cathedral) |
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| La Cathedral Engloutie (The Sunken Cathedral) |
| 2 Available |
Carlos Salzedo's transcription of Debussy's "La Cathedrae Engloutie" for seven harps. This magnificent work sounds particularly impressive with the resonance and volume created by a seven-harp ensemble. |
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Carlos Salzedo's transcription of Debussy's "La Cathedrae Engloutie" for seven harps. This magnificent work sounds particularly impressive with the resonance and volume created by a seven-harp ensemble. |
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Rossini, G. trans. Aptommas, La Charite |
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| Piece for chorus and piano transcribed for solo pedal harp |
| 2 Available |
La Charite (charity) was originally the third of a group of sacred choir pieces written by Rossini in 1844 for women's chorus and piano. This transcription is arranged in three sections: the cantabilie arpeggiandi opening in Eb major has left hand arpeggios with a lovely and memorable melody in right hand chords, then an arpegggio section in Ab major, then the opening section returns with an accompniment in repeated chords. Late intermediate level pedal harp writing. |
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La Charite (charity) was originally the third of a group of sacred choir pieces written by Rossini in 1844 for women's chorus and piano. This transcription is arranged in three sections: the cantabilie arpeggiandi opening in Eb major has left hand arpeggios with a lovely and memorable melody in right hand chords, then an arpegggio section in Ab major, then the opening section returns with an accompniment in repeated chords. Late intermediate level pedal harp writing. |
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Debussy, Claude; arr. Grandjany, La Fille Aux Cheveux de Lin (The Girl with Flaxen Hair) |
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| Grandjany arrangement of famous piano work for solo pedal harp |
| 2 Available |
Grandjany's arrangement from Debussy's Preludes for piano, "The Girl with Flaxen Hair." An introspective an unforgettably beautiful piece that translates very effectively to the harp. For strong intermediate pedal harp, good counting skills and interpretive maturity are called for. Some pedal changes. 3 pages. |
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Grandjany's arrangement from Debussy's Preludes for piano, "The Girl with Flaxen Hair." An introspective an unforgettably beautiful piece that translates very effectively to the harp. For strong intermediate pedal harp, good counting skills and interpretive maturity are called for. Some pedal changes. 3 pages. |
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Andres, Bernard, La Gimblette |
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| Set of theme and variations for early intermediate level pedal or lever harp solo |
| Available |
A delightful, lighthearted theme with 12 variations. It is well suited for the early intermediate level pedal or lever harpist. Most difficult technique is a two-handed trill in one variation. In the key of C major and A minor, no accidentals. Playable on a 32 string lever harp. Would be useful sightreading material for a more advanced player. 6 pages |
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A delightful, lighthearted theme with 12 variations. It is well suited for the early intermediate level pedal or lever harpist. Most difficult technique is a two-handed trill in one variation. In the key of C major and A minor, no accidentals. Playable on a 32 string lever harp. Would be useful sightreading material for a more advanced player. 6 pages |
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Various; arr. Dominique Piana, La Lyre d'Orphee Vol II |
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| La Lyre d'Orphee Vol II |
| 1 Available |
A collection of baroque favorites for the intermediate-advanced pedal harpist of works by J.S. Bach edited by harpist Dominique Piana. This collection includes helpful notes for the harpist about how to ornament Baroque music. |
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A collection of baroque favorites for the intermediate-advanced pedal harpist of works by J.S. Bach edited by harpist Dominique Piana. This collection includes helpful notes for the harpist about how to ornament Baroque music. |
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